Stories/ 子不语/ Master Crane Stillness

Master Crane Stillness

鹤静先生

SourceZibuyu (What the Master Would Not Discuss)
AuthorYuan Mei
EraQing dynasty · Qianlong era, c. 1750–1795
Writtenc. 1788
GhostPoetryDivinationFate
A stone memorial archway on a misted hillside at dusk, a long ribbon of silk hanging from its beam, a writing tray and brush on a low table in the foreground, a lake and white-walled pavilion far below
Illustration generated by AI, based on the ancient Chinese text.

When Li Fanshe had not yet taken his degree, he and Zhou Mumu and some others were fond of summoning planchette immortals. One day an immortal came down on the tray and wrote:

“I am Master Crane Stillness. All my life I have loved to chant, and so I have come for the pleasure of your poetry circle. Ask me small matters, and I will tell you whatever I know. Do not ask me great matters — though I know them, I dare not tell.”

After that, whenever the city of Hangzhou prayed for clear weather or for rain, or asked how to stop a fever or cut short a dysentery, and they put the question to him, he always wrote the date. The prescriptions he set down all worked. On other matters, of fortune and misfortune, the brush lay still and did not move.

Each day, when they wished to ask, they had only to write the four characters Master Crane Stillness and burn the paper to the empty air, and the immortal would come down and answer them in verse. His poems were especially clear and lovely; he matched the rhyme wild goose as many as sixty times over. So it went for a year.

Li Fanshe and Mumu asked to meet him and he refused. They begged him again and again, and at last he said: “Tomorrow afternoon, wait for me at the Crane-Releasing Pavilion on Solitary Hill.”

They went out in a boat at the appointed time and waited. The sun declined and nothing appeared. They thought he had tricked them, and each began to want to leave. Suddenly a long whistle sounded in the air; a cold wind rose on every side; and they saw a great tall man, his beard several feet long, in a gauze cap and a red robe, hanging himself by a long band of silk from the stone archway. In a flash he was gone.

They guessed that he was a loyal minister of the former dynasty who had died for his honour. After that, when they called the planchette, he never came again. It is a pity that they never asked his name.

Original classical Chinese text · 原文

厉樊榭未第时,与周穆门诸人好请乩仙。一日,有仙人降盘书曰:「我鹤静先生也,平生好吟,故来结吟社之欢。诸君小事问我,我有知必告;大事不必问我,虽知亦不敢告。」嗣后,凡杭城祈晴祷雨、止疟断痢等事问之,必书日期;开药方,皆验;其他休咎,则笔卧不动。每日祈请,但书「鹤静先生」四字。向空焚之,仙辄下降,有所唱和。诗尤清丽,和「雁」字至六十首,如是一年。 樊榭、穆门请与相见,拒而不许,诸人再四恳求,曰:「明日下午在孤山放鹤亭相候。」诸公临期放舟伺之,至日昃,无所见,疑其相诳,各欲起行。忽空中长啸一声,阴风四起,见伟丈夫须长数尺,纱帽红袍,以长帛自挂于石牌楼上,一闪而逝。疑是前朝忠臣殉节者也。自此乩盘再请亦不至矣。惜未问其姓名。

From 《鶴靜先生》, Zibuyu juan 15. Translated in full. 厲樊榭 is Li E (1692–1752), the Hangzhou poet and great editor of Song verse, writing here before his degree; 周穆門 is Zhou Jing. 請乩 is planchette divination, the two men holding a stylus that writes on a tray of sand. 孤山 is the island in West Lake; 放鶴亭, the Crane-Releasing Pavilion, commemorates the recluse Lin Bu, whose companions were a crane and plum trees. 紗帽紅袍 is the formal dress of a Ming official.

Source. From Zibuyu (What the Master Would Not Discuss) (子不语), by Yuan Mei , c. 1788. The original text is in the public domain; this English rendering and the accompanying notes are original work.
Where this fits in the universe: Reading the Fate: The Doom Is Fixed, the Address Is Not

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