Stories/ 夷坚志/ The Daughter of Zhang the Ten-Thousand

The Daughter of Zhang the Ten-Thousand

張十萬女

SourceYijian Zhi (Record of the Listener)
AuthorHong Mai
EraSouthern Song dynasty · 12th century
Writtenc. 1160–1200
OutlawGhostWomen
A great earthen mound heaped inside the ruined hall of an abandoned mansion, and far off a young woman in a cliff cave who has not aged, woodcutters pointing up at her
Illustration generated by AI, based on the ancient Chinese text.

In the territory of Jingshan in Ying prefecture there is a place called Biandun, and there a great commoner family, the Zhangs — Zhang Xiang, dominant in his village — had land registered and strings of cash buried, gold and silver and cloth and silk all reckoned in hundreds of millions. So the country people called him Ten-Thousand.

In the early Shaoxi era the great bandit Sang Shen ranged across the country between the Han and the Mian, and left it bare wherever he passed.

Zhang heard that he was coming, and since he could neither move his wealth nor get his household out of the way, he set the guest-rooms in order, boiled oxen, slaughtered pigs, brewed a great quantity of wine, and went out on the road to invite him in.

Sang was highly pleased. He stayed for the sake of it, month upon month. His ruffians came along with him and were fed and drunk from morning to night, and each of them had presents of silk and silver besides. Sang gave strict and repeated orders, and not an autumn hair was harmed.

Zhang had a daughter who had just put up her hair. She was peeping out from behind the blind, and Sang saw that she was young and handsome, and wanted her.

Zhang would not agree.

Sang was angry. “I have made iniquity my trade,” he said. “I kill men as I tread on ants. I have kept your whole household whole — you may call that a kindness. And you still grudge me one girl?”

Zhang was terrified, and married her to him at once.

When they had been there a long while, the band had gathered tens of thousands, and there was nothing left for them to eat; and so he slaughtered the household after all — except that, for his wife’s sake, he gathered up their bones and buried them in the hall, and made one great mound of it, and closed it up and went away, taking only his wife with him.

One other daughter ran out of the house and escaped. Whether she lived or died, nothing more was ever heard of her.

Forty or fifty years afterwards, country people cutting wood on the hills would still sometimes see her in the rock-caves there — with a face like a woman of no more than twenty. And she comes to the old house sometimes, and there is faint weeping. So it is still, to this day.

Whether she is a ghost, or a sprite, or — as some say — met an immortal and attained the Way: none of it can be known.

The foundations of Zhang’s house are still there. There is a wonderful rock, more than a fathom high, with caverns and hollows pierced through it as though it had been made so by nature. In the Xuanhe era the flower-and-rock tribute fleet wanted it for the capital; it was too heavy to shift, and then the wars came, and that was the end of the matter. To this day no official passes by who does not stop and gaze at it and sigh over it. The stone with the Hall Record cut into it still stands — Fan Qianshu wrote it; and there is the Orchid Terrace Record, written by Zhu Zifa.

Of the house itself only the gate-tower remains. The people of the place have moved it to serve as a small hall of the Eastern Peak temple — from which you may judge how large the house must have been.

Original classical Chinese text · 原文

郢州京山境,地名辨頓,豪民張祥雄於鄉閭,名田藏鏹,金銀布帛皆以億計,故里俗目之為十萬。 紹熙初,巨盜桑伸横行漢沔間,所過赤地。張聞其且至,以貲財孥累之衆不能移避,於是整頓舍舘,烹牛屠猪,多釀酒,先路邀迎之。桑甚喜,為之駐留,至于累月,凶徒相隨,日夕醉飽,仍各有縑銀之贈。桑約飭丁寧,秋毫不犯。 張有笄女,從簾下窺覘,桑見其少艾,欲得之。張不許。桑怒曰:「吾業為不義,殺人如踐螻蟻。今全爾一家,可謂恩惠,尚眷惜一女子邪?」張懼,亟以嫁之。 留既久,哨聚數萬衆,無物可食,遂盡戕其家,猶以妻故,收拾其骸,瘞于堂中,作大冢,掩畢而去。獨挈妻俱行。别一女奔出外,得脱,存亡消息無復與人相聞。 既四五十年,鄉人樵採下山者,猶或見之於嵓穴中,容貌只如二十歲者,亦間至故居,隱隱有哭聲。到今猶然。為鬼、為妖,或云遇仙得道,皆不可知也。 張屋基址尚存。有奇石高丈餘,嵓壑穿穴,宛然天成。宣和時花石綱欲取以入京,重不可移,亦會兵亂而止。今士大夫過見之,未有不瞻翫咨惜者。堂記石刻猶存,范謙叔所作;又有蘭軒記,朱子發所作。故屋唯門樓在,彼人徙以為東岳行宫小殿,其大可知矣。

From 《張十萬女》, Yijian Zhi, 丙志卷一. Translated in full. 花石綱 is the flower-and-rock tribute fleet of the Xuanhe era, which stripped the south for the emperor's garden; 笄女 is a girl who has just put up her hair, i.e. of marriageable age.

Source. From Yijian Zhi (Record of the Listener) (夷坚志), by Hong Mai , c. 1160–1200. The original text is in the public domain; this English rendering and the accompanying notes are original work.
Where this fits in the universe: Ghosts

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