Stories/ 谐铎/ The Pheasant Matchmaker

The Pheasant Matchmaker

雉媒

SourceXieduo (Harmonious Warnings)
AuthorShen Qifeng
EraQing dynasty · Qianlong era, c. 1736–1798
Writtenc. 1790
AnimalTransformationOtherworld
An old man releases birds from open cages while a white pheasant flies toward a walled house in a mulberry tree, ink-wash painting
Illustration generated by AI, based on the ancient Chinese text.

Old Mu of Taiyuan kept birds for a living. At seventy he was a widower, and took it into his head to look for a mate. He pressed every matchmaker he could find and not one brought him an answer. When he pressed further, they laughed at him.

“A son-in-law who rides the dragon is chosen in his prime. Hair ought to be black, and yours is white; a face ought to be white, and yours is black. Who would give a girl from an embroidered chamber to wait on an old man’s staff and slippers?”

Mu was furious. He took the birds out of their cages and let them all go, and set off in a temper.

One day, blundering among thick valleys with grey waste on every side and no one to ask the road, he saw a white pheasant rise on strong wings and fly away south of the hill. He followed it. Where the hill ended there was suddenly a village: in deep locust shade, walls a hundred paces long, and on the left a garden gate standing open. Thinking it some great house and not daring to announce himself, he slipped in.

Four girls came by, laughing.

“Fine weather today. Let us play at the pole.” They went up it one after another, red and green, hand over hand. One, in a faded red jacket with green collar and kingfisher sleeves, stood with her back to the flowers and said nothing.

“Is Ayīng moonstruck? Yesterday Lady Sang read the lamp-wick — one wick, four buds — and said we would have a strange encounter today. But a fine meeting is for all of us alike. Why should you go dreaming first?”

Even as they mocked her they caught sight of old Mu hidden under the flowers, and cried out: “The red luan has not shone, and the South Pole star has invaded the flower palace!”

It was Mu’s first time among so many hairpins; his head swam. He wanted to explain himself and had no tongue for it, and only stood against a tree, twisting his white whiskers.

Then word came from within: “Lady Sang is coming.” The four girls left Mu and stood in a ring.

“Has the honoured guest come?” she asked.

“There is no honoured guest,” they said. “Only an old thing.”

Lady Sang pointed at Mu, laughing. “This is your bridegroom.”

Three of the girls spat and turned and scattered. Only Ayīng stayed at Lady Sang’s elbow.

“Ayīng has some sense in her. Do not learn from those silly girls to judge by looks and quarrel with your luck.”

She led Mu into the inner rooms and said, smiling: “These children are the scattered offspring of the house of Shaohao. Drifted and homeless, they lodge here like wrens. You have an old affinity with them; I have presumed on the magpie’s good news to attach you in marriage. Do not find the owl ugly. Be a mandarin duck waiting for its mate.”

Mu agreed to everything. By phoenix-head lamps and duck-tongue incense, before a peacock screen, the marriage with Ayīng was completed, while the three other girls crouched behind the screen and giggled: “A fine falcon of a bridegroom — very like Master Wei picking himself a green heron.”

Next day Lady Sang brought out a box of purple mulberry pills and gave them to Ayīng for her husband. He ate them, and finished them in three days.

In less than half a month the black in his face had all turned white, the white in his hair all turned black, and the beard under his chin had dropped away entirely. He took up a mirror: he might have been fifteen.

When the three girls heard, they brought wine to congratulate him — bright clothes, soft chattering voices. Their names, he learned, were Juanniang, Cuiniang and Yanniang. And now that he was young, they courted him as boldly as they had scorned him, and Ayīng could not bear it, and pointed at him:

“You have only just had the duck’s legs mended onto you, and already you want two birds with one arrow?”

The three flushed. “A wife of half a month, and already sitting on the nest like a hen! Are we owls, that we would ruin your house?”

Ayīng rose, shaking her sleeve: “First you spat at him, now you lick at him. A rabble of crows! I am not eating oriole-roast to cure your jealousy.”

Lady Sang arrived in the middle of it. “Not one of you has her feathers straight. When he was old you would have left him to the luan alone; now that he is young you all want the cuckoo’s place. I should scatter you like a falcon scatters sparrows. But you share an old bond with him. Ayīng, swallow the grievance and make it a kindness; put the quarrel away. From this day, fly together, and let there be no more backbiting.”

The three girls hopped forward and apologised together, and afterwards drank to Ayīng in amends.

“I have a crow’s beak,” they said. “Do not forget, sister, that you promised the phoenix.”

Ayīng said: “So long as my sisters’ wings cover me always, how should I fly alone?”

Mu listened and laughed out loud.

“You wanted two birds with one arrow,” they told him, “and you have four phoenixes in one quilt. A mandarin duck in the water, eating swan-flesh it is not used to!”

From then on they flew by day and slept beak to beak by night, and the four women never had a cross word.

Then one day Lady Sang came white-faced.

“The great tree has fallen. Send him home at once.”

All four clung to his hands, weeping, unwilling to part. Lady Sang sent a maid in plain white to hurry him. Ayīng said: “Rather be dashed to pieces with him ten thousand times than be torn apart in mid-cloud. That is my case today.”

Mu too would not go. The maid said: “I brought you here, and I will take you back. Staying will do no good — you would only be crushed with the nest.”

So he parted from them in tears. A few paces from the gate he looked back: the house was entirely gone. There was one mulberry tree, casting half a mu of shade, and a woodcutter with an axe beneath it, and four birds in the branches crying. He turned to question the maid — and she had become a white pheasant, and was rising into the air, and gone.

Remembering Lady Sang’s kindness, he begged the woodcutter to leave the trunk standing, and found his way home.

The Duo comment: With one shot at Rugao the wife of Jia laughed — so the pheasant is a creature that meddles in the bedroom affairs of men. Yet the Cattle-herd Boy was wifeless at seventy, and the tune The Pheasant Flies at Dawn never married him off. As for old Mu — surely it came of the merit of opening the cages?

Original classical Chinese text · 原文

太原穆翁,豢鸟为业。七十而鳏,慨然作求凰之想;而百计央媒,无一报命。敦促之,人笑曰:“乘龙娇客,尽择英年。今发欲黑而君反白,面欲白,而君反黑,是谁以绣阁娇姿,侍老寿翁杖履耶?”翁大恚,取笼中鸟尽放之,负气出游。 一日,窜丛谷间,四围苍莽,无可问涂,忽有白雉矫翼而飞,投山南而去。翁迹之,山尽处,倏有村落。槐阴葱茂中,亚字墙垣,连亘百步,左侧园扉洞开。翁疑为大家宅第,不敢通谒,潜身而入。有四女子笑语而来,曰:“令日天气晴佳,盍一作踏竿之戏。”牵红攀绿,连次而登。一女子着退红衫,绿衿翠袖,背花不语。众曰:“阿莺痴耶?昨桑夫人作灯花卜,一头四蕊,谓我等今日必有奇遇。然风流嘉会,彼此同之,汝何先为痴想?”正嘲笑间,瞥见翁藏身花下,哗然曰:“红鸾未照,南极星犯花宫矣!” 翁初入钗丛,心摇目眩。欲自陈踪迹,又拙于语言,但倚花呆立,捻弄白髭而已。内传言:“桑夫人来。”四女子舍翁环立,夫人问曰:“娇客来乎?”众臼:“那有娇客,只有老物!”夫人指翁笑曰:“此即汝等婿也。”三女子不顾而唾,回身尽散;独阿莺依依夫人肘下。夫人曰:“莺儿颇有慧心,勿学痴婢子以貌取人,与人拗气。”固导翁入内室,笑谓翁曰:“若辈少昊氏之苗裔也。琐尾流离,鹪寄于此,与足下夙有机缘,敬占鹊喜,窃附鸾交。愿足下勿以鸩盘为丑,而且作待阙鸳鸯也。”翁唯唯。于是凤头灯照,鸭舌香烧,孔雀屏前,与阿莺明成嘉礼三女子伏屏底以窥,嗤嗤匿笑,曰:“好个韝鹰佳婿,绝似韦家郎拣得碧鹳雀耳。” 明日,夫人出紫椹丸一合,付阿莺赠翁。翁啖之,三日而尽。 不半月,面黑者尽白,发白者尽黑,颏下须亦堕落无遗。揽镜一照,仿佛三五少年时也。三女子闻之,携酒称贺,彩衣翩若,软语钩辀.叩其名,始知长为鹃娘,次翠娘,三燕娘。燕娘体最佻,好张双袖作回风舞,又或故作欹斜,投入怀里。莺娘亦时拂衣桁,以逗引之。鹃娘稍矜重,而缘酒迷心,亦复戏弹脂血,倒挂莲钩,夭态游词,百般交作。翁方新负少年,左偎右抱,几欲先弄大姨,后弄小姨。莺娘意不能堪,指翁而诮之曰:“汝初得断凫续胫,遂欲一箭双雕耶?” 三女子亦作色曰:“半个月新妇子,便学作护窠鸡,岂我辈鸱鸮,遂毁尔家室乎?” 莺娘拂袖而起,曰:“始则唾之,继则餂之,真乌合之众也!我不能食仓庚炙,为尔等解妒。”燕娘曰:“汝勿弄如簧之舌。我涎涎翘尾,张公子且曾见惯。肯借邻乌觅华胥之梦哉?”翠娘曰:“醋娘子亦太作乔。姊妹间不过作兰苕之戏耳!”鹃娘曰:“渠既自啄其肉,我等不如归去。”曳其袖悻悻欲去。而夫人卒至,曰:“汝等皆不整羽毛者也!嫌老,则独让鸾栖,爱少,则竞图鸠占。本应威同鹯逐,姑念孟家鸿案,共有前缘。莺儿且拗冤作德,释怨同欢,自今伊始,弋雁翱翔,毋得再生谣啄。”三女子雀跃面前,齐声谢过。夫人亦去。竟酌酒为莺娘陪礼,笑曰:“我等鸦嘴撩人,幸妹子无忘凤诺。”莺娘亦曰:“但得阿姊始终翼覆,妹何敢独效于飞也?”翁闻其言,格声一笑。众曰:“汝图一箭双雕,今得一衾四凤。恐水中鸂鶒,啖不惯几许天鹅肉耳!”自此日则比翼,夜则交颈,四女子从无间言。 忽一日,夫人失色而来,曰:“大树倾矣!速遣郎回。”四人握手娇啼,不忍遽别。夫人遣素衣婢促之。莺娘曰:“宁同万死碎羽翼,不忍云间两分张。真我今日之谓也。”翁亦恋恋不行。婢曰:“我送君来,还送君去。强留无益,恐同被覆巢之祸耳!”不得已,垂涕而别,出门数武,回见宅第全墟。但见桑树一株,垂阴半亩。有伐木者,执斧其下,四鸟集桑树间,哀鸣悲噪。方欲诘诸其婢,转瞬化为白雉,腾空而逝。囚念桑夫人之德,哀诸伐木者,留其株本,问道而还。 铎曰:“如皋一射,贾妻含笑。则雉之为物,专调停人闺阁事也,然牧犊子七十无妻。未尝感其《雉朝飞》一曲为之作合。若穆翁者,殆由开笼放鸟之德欤?”

From 《雉媒》, Xieduo. A bird-keeper's mercy to his caged birds is repaid by bird-women who restore his youth, until the tree they live in is felled.

Source. From Xieduo (Harmonious Warnings) (谐铎), by Shen Qifeng , c. 1790. The original text is in the public domain; this English rendering and the accompanying notes are original work.

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