Stories/ 谐铎/ The Gods Who Gambled

The Gods Who Gambled

神赌

SourceXieduo (Harmonious Warnings)
AuthorShen Qifeng
EraQing dynasty · Qianlong era, c. 1736–1798
Writtenc. 1790
Small GodsSatireGambling
Two temple god-images seated at dice by lantern-light with a gap in the wall between their shrines, ink-wash painting
Illustration generated by AI, based on the ancient Chinese text.

At the temple on Qionglong Mountain there are two god-images in the corridor, in crimson robes and brocade sashes, black caps and black boots. Beside each of them stands an image of his lady, in pearl crown and embroidered cape, exactly like the wife of a titled official. The two gods live in the same compound, separated only by a wall.

One night the temple keeper, sleeping in the corridor, suddenly saw the god of the left seat go straight over to the right.

“The watches are long tonight, and lying with my head on the pillow I cannot get to sleep. Shall we have a game of dice?”

The one on the right laughed: “You pig-herd! Your gambling fit is on you again? But our incense has been thin lately — what stake can we put up?”

“Let us play for tallies. The loser settles tomorrow. If he does not pay, let the new wife stand against the debt.”

The right-hand god laughed and agreed. So they snapped incense-sticks for counters, spread rushes for a mat, and the two gods sat facing each other and shouted the throws for something like two hours. Then the right-hand one rose, laughing:

“The hot one is beaten. Go home and rest. Tomorrow I will send the seven-perfumed carriage for the bride!”

And the left-hand god slunk away, crestfallen. The keeper was astonished. The next night he slept in the corridor again, and saw the right-hand god go to the left-seat’s shrine and press for payment most urgently, demanding the wife as well.

The lady heard it, and cursed her husband in a fury:

“Black-hearted thief! That day when offices were on sale at the Hall of Cultivating Literature, it was I who took off my hairpins and earrings and pulled strings to get you a post. And now, for lust and dice, you stake the woman beside your pillow as your last throw. Was there ever a faithless man alive like you?”

The left-seat god hung his head and said nothing. The right-seat god pressed harder, shouting without pause and then abusing him. It was only luck that his own wife called to him across the wall, and he was led away.

After that there was quarrelling every night.

The keeper grew sick of it and reported it to the trustees. So they got up drums and music and sent the left-seat’s lady over to the right seat as well, and the noise stopped.

But the dividing wall, however often they repaired it, kept collapsing. A man who understood said: “It is that the new lady cannot forget her old husband.” He had the builders leave a hole in it, to be a place for peeping at her husband — and from then on the wall never fell again.

To this day the people there call it the Win-and-Lose Temple, and lovers of a wager cite it as a joke.

The Duo comment: Lust costs a man his life; a passion for gaming ruins a house. The calamity of the flower-bones is no less than that of the powdered skull. If you doubt me, leave the left seat empty and wait.

Original classical Chinese text · 原文

穹隆山庙,廊下有神像二,绯袍锦带,乌帽皂靴。其旁各塑一夫人像,珠冠绣帔,俨同命妇。二神同院居,仅隔一墙。 一夕,有庙祝宿廊下,忽见左座一神,竟趋右座曰:“今夕更漏颇长,伏枕不能成梦,盍一作樗蒲戏?”右座者笑曰:“牧猪奴!赌兴又发耶?但我辈近日香火零落,何得有现注?”左座者曰:“请以筹马,负者明日覆算。如不归,当以新妇准负债。”右座者笑诺。于是,折香为筹,铺芦作席,二神相对坐,呼卢喝雉,约两时许。右座者起笑曰:“热中人败北矣。归且休,明日当以七香车送新妇来也!”左座者丧气而散。庙祝异之,明夕,仍宿廊下。见右座者竟诣左座,责负甚急,并索妇;夫人闻之,怒诟其夫曰:“黑心贼!汝当日在修文殿鬻选时,幸侬脱簪珥夤缘得一官。今以淫赌,辄将枕边人作孤注,天下负心人有若是哉?”左座神垂首不作一语。右座者索愈力,狂哗不休,继以漫骂。幸其妇隔墙唤,始引去。自此,无夕不争。 庙祝厌之,白于董事,竟具鼓乐,送左座夫人亦登右座;喧声始绝。而所隔一墙,旋修旋记。识者曰:“是新夫人不忘故夫也。”命筑墙者留一穴以为瞰夫之地。墙自此遂不复圮。至今土人呼为输赢庙。好赌者引为笑柄云。 铎曰:“贪淫殒命,好博倾家。花骨头之祸,不减于粉骷髅也!谓予不信,请虚左以待。”

From 《神赌》, Xieduo. Two gods dice away a wife; the wall between their shrines keeps falling down until they leave a hole in it.

Source. From Xieduo (Harmonious Warnings) (谐铎), by Shen Qifeng , c. 1790. The original text is in the public domain; this English rendering and the accompanying notes are original work.

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